Official reference site

of the Aporetic Music

In these pages you will find informations on Aporetic Think, as far as useful documents, and audio samples to understand the main outlines of this musical trend.

APORETIC PHILOSOPHIA
APORHTIKH FILOSOFIA

Introduction to Aporetic main Think

The historical sources of the Aporetical philosophia found its roots in the
greek philosopher Enesidémus of Cnòssus (100 a.C.~ 40 a.C. circa), who's the
author of the known treatise «The ten Tropes».
The greek word "aporetikòs" derives from the verb "aporéo", that means:
I'm in a state of difficulty which comes from a situation for which there's no
way out, due to two opposite solutions where the truth can't be realized.

From The relationship of the Art:
«Outlines of the Aporetic Music» by the founder A.Patron

"...The Music goes beyond the phenomenic world. It is beyond every speculation.

The Aporetic philosophia put itself as an approach instrument for the

instinctive music, that is the Absolute Natural Music. The Aporetic Music put

under discussion any mere doctism and get you close with such state overcoming, to the pure

instinctual inspiration (your deep soulfulness aim) i.e. close to the slope of the Absolute

Music (the «Chaos»), that is unknowable for our nature as is unknowable its opposite side:

the Absolute Rational Music (called «Soac»). It's better for us (according to the Aporetic philosophia)

to proceed, toward the pursue of the"music for the music" Idea, toward the

Absolute Natural Music (cosmic generational armony) then to the Absolute Rational one,

because this last has no generational attribute been "only" an intellectual creation,

a blind alley..." 

Storical

After quite a decade, the Aporetic music, as an intermediary consciousness tool thru the unknowable Absolute Natural Music, has now completed its maieutical phase. This mean not certainly an ended course, as You can say for those Think-trends as in the written texts, which are already concluded. The continous re-editing and integrating work of the Aporetic Think, make able to find, as in this world official foundation, new light. We do not want here to write an official treatise (we realize it in a next future), but only to point out few small important concepts. The Music goes beyond the phenomenic world. It is beyond every speculation. The Aporetic philosophia put itself as an approach tool for the instinctive music, that is, as we saw, the Absolute Natural Music. The Aporetic Music put under discussion any mere doctism and get you close, with such state overcoming, to the pure instinctual inspiration (your deep soulfulness aim), i.e. close to the slope of the Absolute Music (the Chaos), that is unknowable for our nature as is unknowable its opposite side: the Absolute Rational Music (called Soac). It's better for us (according to the Aporetic philosophia) to proceed, toward the pursue of the "music for the music" Idea, toward the Absolute Natural Music (cosmic generational armony) then to the Absolute Rational one, because this last has no generational attribute, been "only" an intellectual creation, as we already saw: "a blind alley". The historical sources of the Aporetical philosophia found its roots in the greek philosopher Enesidémus of Cnòsso who's the author of the known treatise "The Ten Tropes". The greek word "aporetikòs" derives from the verb "aporéo", that means: I'm in a state of difficulty which comes from a situation for which there's no way out, due to two opposite solutions where the Truth can't be realized, so the only act will be a judgement suspension (assentionis retentio). The Aporetic Think instead the Enesidemo's one, realize the solution of this state in that generational Chaos which regress Ratio to Instinct.
What we are use to see is that light microcosm thrummed by our daily relations, but as in the other side of a carpet what we miss is the real image represented.

Main fragment translation:«THE TEN TROPES»

The usual tradition amongst the older Sceptics is that the Tropes by which "suspension" is supposed to be brought about are ten in number; a they also give them the synonymous names of "arguments" and "positions". They are these: the first, based on the variety in animals; the second, on the differences in human beings; the third, on the different structures of the organs of sense; the fourth, on the circumstantial conditions; the fifth, on positions and intervals and locations; the sixth, on intermixtures; the seventh, on the quantities and formations of the underlying objects; the eighth, on the fact of relativity; the ninth, on the frequency or rarity of occurence; the tenth, on the disciplines and customs and laws, the legendary beliefs and the dogmatic convictions. This order, however, we adopt without prejudice.